ANGE Moyen-?ge music review by Master of Time

Ange is finally back to full form on this album. It's taken a long time but I believe that this is the best album they have done since Guet Apen's, and I would probably rank it in Ange's top three albums with Guet Apens and Au-Dela Du Delire. It has been a very pleasant surprise, and includes a near 50 minute suite on it. Unfortunately I do not understand French, but I'm sure if I did the Moyen-Age suite would be epic beyond epic, knowing Ange's track record.

It starts off with the upbeat Tueuse A Gages. A nice opener, the real magic though is when the electric guitar comes in, it has a very nice tone that unfortunately is not explored further. It a very different sounding Ange than you've come to know from the 70s. The music is definitely different, seeing that the only original member left is lead singer Christian Decamps, who also sounds quite different on this album, especially on the opening track. His voice is not as theatrical and almost sounds a little bit like he's trying to sing opera on the opener. One thing that worried me was the absence of Christian's brother Francis, who used to play keyboards, and was a staple of the classic Ange sound, but I must say that Christian's son Tristan who took his place is extremely talented and I enjoyed his playing throughout. The next two songs are a bit slower and darker, and built more around Christian's voice and the drummer, with extremely talented guitar player Hassan Hajdi occasionally breaking in with bluesy riffs, and some haunting playing of Tristan's. I have to mention that Hassan seemed quite versatile, and guitar tone kept changing throughout the album and had a very nice variety and I quite enjoyed it. The last song before the suite, Les Mots Simple, is a light upbeat song built around Tristan's bright keyboard playing. Christian's voice, though almost unrecognizable as his own, sounds almost beautiful on this song, and this is a definite a highlight.

The Moyen-Age suite begins with Un Gout De Pain Perdu, begins with dark, marching percussion, and mysterious guitar playing, which leads into Christian's very mysterious vocals, here's where you can finally see some Ange's famous theatrics. It sounds like the beginning of a long epic tale. As this song marches forward, getting more powerful as it goes, it almost reminds me a little of Magma. Each track of the suite tends not to stray too far from the main theme of the track, and some of the longer one's can get slightly tedious on subsequent listens. Camelote is very short, coming in under 3 minutes, and is another highlight. Christian voice is very emotive. It is a very fun song, and I imagine is about Camelot. Hassan has a little fun in this song. Then we have hard rocking Le Cri Du Samourai, kind of a throw away but good enough, almost had me singing along near the end though even though the only word I knew was Samurai.

Then we have longest track in the Suite and on the album, A La Cour Du Roi Nombril. This song definitely sounds the most individualistic and that it could be its own song and not a section of a much longer suite. Again we see more of Ange's theatrics with Christian sounding insane with maniacal laughter. Everyone shines on this song, with great playing done by all and it definitely feels like it's telling quite the story, even if I have no idea what it's about. It seemed to go by quickly and I listening so intently that I barely thought a minute had passed by the time it was 6 minutes in. This definitely has a spacey quality to it. A Fantastic track, another Highlight of the album. We then have a break from that long epic with the shorter Le Cies Du Harem. It sounds like it's building up to a louder faster section but when I think it's just about to change it just starts another verse. It does change about two minutes becoming a little quirkier sounding, adding violin to the mix. Still a good little song though. Some of it reminded me a little bit of The Fixx in parts but that's probably just me.

After that nice little break we go into the second longest song on the album, Je Ne Suis Pas De Ce Monde. This is to me the song that most reminds me of chanson, at least during the quieter parts focusing on Christian's vocals. However during the faster more upbeat sections of the song Hassan's guitar playing s more heavily featured and has more fun riffs. Hassan really did surprise me throughout this whole album with his immense talent. About 4 minutes in when it slows back down you can hear Christian singing along with one of the great mini soundscapes Tristan produces throughout the album before going into a nice bluesy guitar solo. This song sounds like a great journey is starting to come to an end, but isn't over quite yet. This song fades into Entre Les Gouttes, which sounds quiet and mysterious until the heavy guitar riffs break in, but they don't last for long, and about 2 minutes in we have soft nice vocals that I'm not 100% sure if they are Christian's or not, and I think it may be his son, Tristan's. This is a very powerful ballad, the only complaint I have is that it drags on. It eventually fades into ambience which slowly builds up with the drums. Another thing I haven't mentioned yet is how great the drumming work is by Benoit Cazzulini, he also surprised me like Hassan did, both fantastic musicians. It ends with powerful guitar playing by Hassan and fantastic drumming by Benoit.

The Suite and album finally ends with Abracadabra. Another upbeat light song built around Tristan's keyboard and Christian's voice. This song sounds like an end to a long epic journey, and is a fantastic conclusion to an excellent album by Ange.

One thing Ange has always done very well and is especially noticeable on this album is that I feel like I know where the story is going even though I don't understand the lyrics. This is what really made this stand out. This Ange definitely sounds different than the classic Ange but I don't think that's a bad thing, because every musician on this album was amazing, and the sound this album has is extremely promising for future release. After many years of making okay albums Ange finally hit gold with Moyen-age, a high point in their career, and I truly hope they keep make more albums as good as this. I recommend this to any Symphonic Prog fan, but I think that if you are an Ange fan you are required to get this album, one of their all-time greatest, and I'm sure this will give me much more enjoyment in the future.

Master of Time | 4/5 | 2012-6-7

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Does Nicki Minaj's 'Starships' Make Her Any Less Hip-Hop?

In the wake of Minaj's feud with Hot 97, MTV News examines what real hip-hop is and who gets to decide.
By Rob Markman

Nicki Minaj
Photo: VEVO

A funny thing happened on the way to Summer Jam. All hip-hop hell broke loose after an off-the-cuff comment by a radio DJ led rap's reigning queen to pull out of the year's biggest rap concert. Nicki Minaj versus Hot 97 has no doubt become the biggest rap gossip of the week, but once the drama subsides, an eternal discussion will still linger: What is real hip-hop? And who gets to decide?

In one corner there's rap purist and Hot 97 radio personality Peter Rosenberg, who trashed Nicki's RedOne-produced crossover machine "Starships" in front of concertgoers just hours before she was scheduled to take the stage. In the other corner there is Nicki Minaj, whose pop success has made her a punching bag for critics who turn their noses up at anything without a James Brown sample.

Hot 97's famous tagline is "where hip-hop lives," and in the radio world that pretty much rings true, though underground artists like Action Bronson, Skyzoo and the Immortal Technique could make a case otherwise. Minaj is technically rapping (and singing) on the fist-pumping "Starships," and while the Barbie has always been classified as a hip-hop artist, the song didn't become a top five Billboard single with urban-radio spins alone. Still, Hot 97 does play the record.

If it is judged solely against the boom-bap DJ Premier portion of the genre, then "Starships" isn't really a hip-hop record, but the track's pounding bass and electro-pop dance beat is not totally detached from rap's early days. Afrika Bambaataa's iconic "Planet Rock," lifted from Kraftwerk's "Trans-Europe Express," was centered around dance and not dusty samples or deep and intricate lyrics. In the 1980s, the Jungle Brothers built much of their discography around house and dance music, and they were one of the most celebrated hip-hop groups of their day.

Hell, you can even trace Nicki's penchant for wearing over-the-top costumes back to Bambaataa, so to suggest that "Starships" isn't real hip-hop is an absolute statement and isn't entirely accurate. Now to call "Starships" "wack" is a qualitative judgment and one widely held by hard-core rap fans — so there is some basis to Rosenberg's charge.

On her latest, Pink Friday: Roman Reloaded, Nick essentially splits her sound down the middle. On one side, Euro-inspired dance anthems dominate, while on the other side there are hard-core rap joints. For every "Starships" there is a "Beez in the Trap" or "Roman Reloaded," which builds its beat around nine-millimeter gunshot sound effects. Nicki recognizes that she toes hip-hop's undefined line, but relentlessly holds on to her rap roots. "I'm still me, hip-hop culture is still in my heart," Minaj told MTV News back in April. "That can never leave me. I know I'm always gonna be street, because I can't pretend to be street."

When she phoned in to Power 105's Breakfast Club morning show on Tuesday, Nicki insisted that she wasn't planning to perform "Starships" at Summer Jam. Instead, she planned to rock more fitting tracks and parade out a who's who of hip-hop favorites during her set. Nas, Lauryn Hill, Lil Wayne, Cam'ron, 2 Chainz and Foxy Brown were just some of the guests with whom Minaj planned to share her stage. Ironically, it could have ended up the realest hip-hop moment of the year.

Tune in to "RapFix Live" on Wednesday at 4 p.m. ET on MTV.com as "Yo! MTV Raps" hosts Ed Lover and Doctor Dre weigh in on the debate.

Related Artists

• Nicki Minaj

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DSM-5 to include controversial changes to criteria for substance use disorders

Public release date: 6-Jun-2012
[ | E-mail | Share ]

Contact: Marcy Gregg
jsadeditor@ucsd.edu
858-822-0924
Journal of Studies on Alcohol and Drugs

PISCATAWAY, NJ Every new edition of the Diagnostic and Statistical Manual of Mental Disorders stirs up a host of questions and controversies, and the next DSMthe DSM-5, to be published in 2013is no exception. The diagnoses related to alcohol and other substance use disorders have had their own share of the controversy, according to Marc A. Schuckit, M.D., editor of the Journal of Studies on Alcohol and Drugs and a member of the Substance Use Disorder Work Group for the DSM-5. An editorial from Schuckit in the July issue of JSAD, as well as letters from three experts, highlights the debate.

In past DSMs, the 11 criteria for alcohol and other drug use disorders were divided into two related diagnoses: dependence and abuse. Dependence was diagnosed if a person met three of seven possible criteria items. If the person did not meet the threshold for dependence, then abuse could be diagnosed if the person endorsed any one of four remaining items. The DSM-5 committee felt that asking clinicians to work their way through items for two syndromes was more complicated than was necessary. The group also was reluctant to continue using a diagnosis that involved a person meeting only a single criterion, as the abuse diagnosis currently does. "One item is not a syndrome, even if you repeatedly have problems with that item," says Schuckit.

Therefore, one of the biggest changes is the decision to meld the separate abuse and dependence categories into a single diagnosis in which a person has to meet two or more items for a diagnosis. With the DSM-5, a person can have an "alcohol use disorder" or a "drug use disorder" but not specifically abuse of or dependence on alcohol or other drugs.

"Our goal was to try to make the criteria easier for the usual clinician to use, and so we're no longer asking them to remember one criteria set for abuse and a separate set for dependence," says Schuckit.

But the proposed changes have received significant criticism. Griffith Edwards, D.M., in a letter to the editor in the same issue of JSAD, writes that there is "no convincing case" for the proposed changes. "The impression is given of a field in disarray," Edwards continues. "Revisions are sometimes necessary, but unnecessary revisions are likely to be without benefit."

Edwards writes that experience working with patients has shown that there is, in fact, an intermediary step of disruptive drinking, such as alcohol abuse, that does not meet the higher threshold for dependence. Further, he states, the new, single category would deviate significantly from the diagnostic criteria set out by the World Health Organization in its diagnostic manual, the International Classification of Diseases. "The consequence may be that the DSM comes to be seen as enshrining an

American point of view, whereas the ICD would be the international currency," Edwards concludes.

On the other hand, according to Schuckit, factor analyses performed on the group of 11 criteria have shown that these symptoms currently used to diagnose abuse and dependence statistically constitute approximately 1.2 disordersnot exactly one group, but certainly closer to one group than to two. Proponents of the change to a single, combined diagnosis also argued that it is simpler for both lay people and clinicians to understand.

"While I see both sides of the issue, the majority of the argument and the best data favored putting them together," says Schuckit.

A recent article in The New York Times (May 11, 2012) suggested that this change could result in many more people being diagnosed as having a substance use disorder than was seen using the DSM-IV and may strain health care resources. In response, Schuckit says the committee evaluated data on more than 100,000 cases using both the current abuse-and-dependence approach in DSM-IV and the proposed substance-use-disorder approach in DSM-5, which combines abuse and dependence. The committee found that the number of people diagnosed did not change much across the two diagnostic schemes.

"It was unfortunate that The New York Times article had some major inaccuracies," he says.

Schuckit concludes that although people are often resistant to change, it's a healthy process.

"Science marches forward, so it makes sense that every decade or so, people who are using the science in order to best diagnose disorders should reevaluate what's happened over that decade," says Schuckit. "The DSM is reflecting what we know now that we didn't know 10 years ago."

###

Schuckit, M. A. (July 2012). Editor's corner: Editorial in reply to the comments of Griffith Edwards. Journal of Studies on Alcohol and Drugs, 73(4), 521-522. Available at: www.jsad.com/jsad/link/73/521

Edwards, G. (July 2012). "The evil genius of the habit": DSM-5 seen in historical context. Journal of Studies on Alcohol and Drugs, 73(4), 699-701. Available at: www.jsad.com/jsad/link/73/699

Hasin, D. S. (July 2012). Combining abuse and dependence in DSM-5. Journal of Studies on Alcohol and Drugs, 73(4), 702-704. Available at: www.jsad.com/jsad/link/73/702

O'Brien, C. P. (July 2012). Rationale for changes in DSM-5. Journal of Studies on Alcohol and Drugs, 73(4), 705. Available at: www.jsad.com/jsad/link/73/705

To arrange an interview with Marc A. Schuckit, M.D., please contact Marcy Gregg at jsadeditor@ucsd.edu or (858) 822-0924.

The Journal of Studies on Alcohol and Drugs is published by the Center of Alcohol Studies, Rutgers, The State University of New Jersey. It is the oldest substance-abuse journal published in the United States.

---

[ | E-mail | Share ]

?

AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.

Public release date: 6-Jun-2012
[ | E-mail | Share ]

Contact: Marcy Gregg
jsadeditor@ucsd.edu
858-822-0924
Journal of Studies on Alcohol and Drugs

PISCATAWAY, NJ Every new edition of the Diagnostic and Statistical Manual of Mental Disorders stirs up a host of questions and controversies, and the next DSMthe DSM-5, to be published in 2013is no exception. The diagnoses related to alcohol and other substance use disorders have had their own share of the controversy, according to Marc A. Schuckit, M.D., editor of the Journal of Studies on Alcohol and Drugs and a member of the Substance Use Disorder Work Group for the DSM-5. An editorial from Schuckit in the July issue of JSAD, as well as letters from three experts, highlights the debate.

In past DSMs, the 11 criteria for alcohol and other drug use disorders were divided into two related diagnoses: dependence and abuse. Dependence was diagnosed if a person met three of seven possible criteria items. If the person did not meet the threshold for dependence, then abuse could be diagnosed if the person endorsed any one of four remaining items. The DSM-5 committee felt that asking clinicians to work their way through items for two syndromes was more complicated than was necessary. The group also was reluctant to continue using a diagnosis that involved a person meeting only a single criterion, as the abuse diagnosis currently does. "One item is not a syndrome, even if you repeatedly have problems with that item," says Schuckit.

Therefore, one of the biggest changes is the decision to meld the separate abuse and dependence categories into a single diagnosis in which a person has to meet two or more items for a diagnosis. With the DSM-5, a person can have an "alcohol use disorder" or a "drug use disorder" but not specifically abuse of or dependence on alcohol or other drugs.

"Our goal was to try to make the criteria easier for the usual clinician to use, and so we're no longer asking them to remember one criteria set for abuse and a separate set for dependence," says Schuckit.

But the proposed changes have received significant criticism. Griffith Edwards, D.M., in a letter to the editor in the same issue of JSAD, writes that there is "no convincing case" for the proposed changes. "The impression is given of a field in disarray," Edwards continues. "Revisions are sometimes necessary, but unnecessary revisions are likely to be without benefit."

Edwards writes that experience working with patients has shown that there is, in fact, an intermediary step of disruptive drinking, such as alcohol abuse, that does not meet the higher threshold for dependence. Further, he states, the new, single category would deviate significantly from the diagnostic criteria set out by the World Health Organization in its diagnostic manual, the International Classification of Diseases. "The consequence may be that the DSM comes to be seen as enshrining an

American point of view, whereas the ICD would be the international currency," Edwards concludes.

On the other hand, according to Schuckit, factor analyses performed on the group of 11 criteria have shown that these symptoms currently used to diagnose abuse and dependence statistically constitute approximately 1.2 disordersnot exactly one group, but certainly closer to one group than to two. Proponents of the change to a single, combined diagnosis also argued that it is simpler for both lay people and clinicians to understand.

"While I see both sides of the issue, the majority of the argument and the best data favored putting them together," says Schuckit.

A recent article in The New York Times (May 11, 2012) suggested that this change could result in many more people being diagnosed as having a substance use disorder than was seen using the DSM-IV and may strain health care resources. In response, Schuckit says the committee evaluated data on more than 100,000 cases using both the current abuse-and-dependence approach in DSM-IV and the proposed substance-use-disorder approach in DSM-5, which combines abuse and dependence. The committee found that the number of people diagnosed did not change much across the two diagnostic schemes.

"It was unfortunate that The New York Times article had some major inaccuracies," he says.

Schuckit concludes that although people are often resistant to change, it's a healthy process.

"Science marches forward, so it makes sense that every decade or so, people who are using the science in order to best diagnose disorders should reevaluate what's happened over that decade," says Schuckit. "The DSM is reflecting what we know now that we didn't know 10 years ago."

###

Schuckit, M. A. (July 2012). Editor's corner: Editorial in reply to the comments of Griffith Edwards. Journal of Studies on Alcohol and Drugs, 73(4), 521-522. Available at: www.jsad.com/jsad/link/73/521

Edwards, G. (July 2012). "The evil genius of the habit": DSM-5 seen in historical context. Journal of Studies on Alcohol and Drugs, 73(4), 699-701. Available at: www.jsad.com/jsad/link/73/699

Hasin, D. S. (July 2012). Combining abuse and dependence in DSM-5. Journal of Studies on Alcohol and Drugs, 73(4), 702-704. Available at: www.jsad.com/jsad/link/73/702

O'Brien, C. P. (July 2012). Rationale for changes in DSM-5. Journal of Studies on Alcohol and Drugs, 73(4), 705. Available at: www.jsad.com/jsad/link/73/705

To arrange an interview with Marc A. Schuckit, M.D., please contact Marcy Gregg at jsadeditor@ucsd.edu or (858) 822-0924.

The Journal of Studies on Alcohol and Drugs is published by the Center of Alcohol Studies, Rutgers, The State University of New Jersey. It is the oldest substance-abuse journal published in the United States.

---

[ | E-mail | Share ]

?

AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.

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Ark. teen who shot sleeping sister gets 45 years

RUSSELLVILLE, Ark. (AP) ? An Arkansas teen pleaded guilty Wednesday to murdering his sleeping sister and was sentenced to 45 years in prison for a crime he still hasn't fully explained.

Colton Harvey, 15, grabbed his father's .22-caliber rifle one January morning while his parents were out grocery shopping. He walked into his 16-year-old sister Candace's room, pointed it at her forehead and fired. She awoke with a scream, so he shot her in the head twice more.

He threw some clothes and ammunition in his father's pickup truck and took off, driving first into the hills but then to the sheriff's office, where he chickened out in the parking lot. He drove to a friend's for some chewing tobacco ? a vice that led to his parents grounding him days earlier ? and then back to the sheriff's, where this time he found the courage to go in and confess.

"I don't know why I did it. It just happened," Harvey told state police investigator Corey Mendenhall hours later, according to a transcript of the interview in which he described in detail what happened that morning. The Associated Press obtained the transcript under a Freedom of Information Act request.

Harvey told Mendenhall he deserved the same fate.

"I should get done to me what I did to her," Harvey said.

Prosecutors initially charged the teen with first-degree murder, which carries a maximum penalty of life without parole. But they later worked out a plea bargain with his attorney, and on Wednesday, a judge sentenced Harvey to 30 years for second-degree murder plus 15 more because he used a gun.

The lanky, blond Harvey teared up as he addressed Judge William Pearson, at one point raising his handcuffed hands to his face so he could dab his eyes with a tissue.

"You stated that you murdered your sister. Is that correct?" Pearson asked.

Harvey paused, then almost whispered, "Yes, sir."

"How far did you get in school?" Pearson asked Harvey, who responded so quietly that the judge had to repeat some of his answers.

As Harvey replied, "ninth grade," his mother sobbed.

Harvey told the state police investigator that his parents grounded him a few days before the shooting when they found out he was using smokeless tobacco. He stewed in his room, staring at the wall.

The morning he killed Candace, his parents woke him up to tend to jerky from a deer he had killed the weekend before.

"You've got to be angry to be able to shoot a gun at somebody," Mendenhall, the state police investigator, told him a few hours after he killed Candace. "I mean, you're used to shooting deer and stuff and I know you're, you're not angry at the deer. But we're talking about your sister here. Do you love your sister?"

"Yeah," he said.

Investigators found her body in a bedroom at the family's home near Ozark, a town of about 3,600 roughly 120 miles northwest of Little Rock.

More details about the shooting came loose after Wednesday's hearing, when the judge also unsealed court documents that he previously ordered be kept out of the public's eye.

And yet, the question of why Harvey shot his sister remained unanswered.

"He never did give what I would consider to be a clear motive," the prosecutor, David Gibbons, said after Wednesday's hearing.

Harvey's attorney, Bill James, said there is a history of mental illness in Harvey's family, but he said an expert wasn't able to give his client a diagnosis because of his young age.

"Every time I've ever seen him, he's cried," James said. "And it's not, 'Woe is me.' It's about what he's done to his mom and what he's done to his family."

A state review of Harvey's mental health noted that he was depressed after being jailed and that he said he had lost consciousness playing football in junior high school. But it found nothing on which to blame the shooting.

His defense attorney said Harvey never had any run-ins with the law before the shooting.

"I think his biggest problem was talking in class prior to this," James said.

His parents had only recently discovered he was using smokeless tobacco.

"I don't see why they won't let me do it. I've done it since third grade," Harvey told the state police investigator.

Harvey will head to a county jail until he's transferred to the Division of Youth Services, where he'll remain at least until he turns 16, James said. He can head to a state prison after that.

Harvey's mother cried throughout Wednesday's proceedings that took away her son after she lost her daughter.

"The situation doesn't lend itself for anybody to be happy," Gibbons, the prosecutor, said. "If there was somebody happy, absolutely happy, then an injustice would have been done."

___

Follow Jeannie Nuss at http://twitter.com/jeannienuss

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CFDA Awards: Olsen Twins Named Fashion Royalty

At the CFDA (Council of Fashion Designers of America) Awards Monday night, Mary-Kate and Ashley Olsen won the 2012 Womenswear Designers of the Year award.

For their work on their own line, the Row, obviously.

Johnny Depp was also lauded for his personal style, though just one night after rocking with The Black Keys at the MTV Movie Awards, Depp opted to sit this one out.

The 48-year-old Dark Shadows star wasn't present to accept his Fashion Icon award, so his friend and Cry-Baby director John Waters accepted on his behalf.

The night belonged to the Olsens, although Olivier Sarkozy, who is reportedly cozying up to Mary-Kate of late, was not on hand to support his girl. Oh well.

Here's a look at some of the big fashion winners from the event:

Womenswear Designer of the Year: Ashley Olsen and Mary-Kate Olsen of The Row

Menswear Designer of the Year: Billy Reid

Accessories Designer of the Year: Reed Krakoff

Swarovski Award for Emerging Talent in Womenswear: Joseph Altuzarra

Swarovksi Award for Emerging Talent in Menswear: Phillip Lim

Swarovski Award for Emerging Talent in Accessories: Tabitha Simmons

Geoffrey Beene Lifetime Achievement Award: Tommy Hilfiger

International Award: Rei Kawakubo

Founders Award, in honor of Eleanor Lambert: Andrew Rosen

Media Award, in honor of Eugenia Sheppard: Scott Schuman and Garance Doré

Fashion Icon Award: Johnny Depp

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Preparing for a Career in San Antonio

San Antonio is a sprawling metropolitan city that has about 1.3 million residents, which makes it the seventh largest city in the nation, and the second largest city in the State of Texas. Because of this, it is also a superb place to start and maintain a lifetime career. Presently, the largest industries in the city are financial services, government, health care, and tourism. Twenty million tourists visit the city annually, which is why going into a career in business might be the optimal option for a newcomer. Whatever your choice, you can rest assured that the possibilities are endless.

Uses of Vocational Programs

Imagine being an entrepreneur and opening your dream business on the Riverwalk, near The Alamo, or a major theme park like Six Flags Fiesta Texas. With some hard work and determination, this is definitely possible in San Antonio.

If you don't think you have the skills, keep in mind that there are many San Antonio vocational programs that you can attend to learn trades such as cooking, baking, and many other skills that you can use to start a business. San Antonio vocational programs are very good, and you can be sure that you will learn and become successful. If you want to go into the financial services sector, then attending a business school will be the best route for you to take.

Need for Nurses

Since health care is another major industry in the city, considering a career in the medical field would not be a bad idea. There is a major need for nurses and nurse aids here, so considering one of the many nursing schools in San Antonio is advisable. Here you will learn the skills needed to help patients get through their illnesses and get back to their daily lives. Programs at nursing schools in San Antonio can last anywhere from one to two years. Although it may be difficult, finishing the program will set you up for a great career in a great city. There is nothing better than making money while helping others get through difficult times.

Affordable and Exciting City

As you can see, San Antonio is a perfect place to begin a career that will be exciting and rewarding. What makes the city even better is that the cost of living here is lower than many other cities in the United States, so your money will go a long way. Whether it be starting your own business to take advantage of the booming tourism industry or becoming a health care professional and adding yourself to the medical workforce, hard work and determination have the potential to take you a long way here.

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Video: Tough love at Harlem Village Academies

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